JFDR’s new album Museum is out now on Houndstooth. The new music has met with phenomenal and widespread support so
far including from the likes of NPR, Pitchfork, La Blogothèque, Grapevine and The Line of Best Fit.
Following stints as a member in Pascal Pinon and Samaris, JFDR has collaborated with renowned artists including Ólafur
Arnalds, Damien Rice, and Penelope Trappes, scored the award-winning Icelandic film Backyard Village, and garnered fans
across the world – including Björk, who has cited JFDR as an inspiration. Museum represents an essential step in her
ever-growing catalog, and a new beginning for an artist who has already had multiple careers as a musician, but who still feels
like she’s just getting started. “This album is a step to somewhere,” she says reflectively, “I feel I’m right in the middle of a new
body of work.” Throughout Museum, there are beautifully unfurling melodies and subtle percussion propelling songs upwards.
There are whorls of piano and synths, sympathetic textures alongside instrumental breathers. JFDR’s vocals curl like wisps of
smoke around heavy and resonant silhouettes of electric guitar and bass. As the album moves, there is redemption to be found

– Ákadóttir ushers the listener toward the light at the end of the tunnel. It is a masterful gesture from an artist 14 years and 12 records deep into her career